Mojave Interlude was realized, recorded and edited from August 2006 - November 2015, in various locations between North Carolina and California. The majority of the music was created with a wide array of percussion instruments, utilizing a variety of techniques, and processed with analog and digital electronics. Additional instruments and found sounds were added under my own direction and/or editing. In 2013, a live-mix version of this music was assembled to accompany the dance piece I am Come For You, choreographed by Carson Efird, at UCLA in Los Angeles, CA and at White Wave in Brooklyn, NY.
credits
released October 8, 2016
Additional Instrumental Contributions:
Mike Lewis: Saxophones (Part I, d)
Brian Joseph: Additional Engineering & Production (Part I, d)
Trever Hagen: Trumpet & Electronics (Part II, a&b)
Robert Pence: Bass Clarinet, Tenor Saxophone, Trombone (Part II, b)
Mastered by Ryoji Noumi
supported by 4 fans who also own “Mojave Interlude”
The two albums of this collection are absolutely stunning. It feels like someone created a new set of basic rules for making music and developed it for centuries and then put this out. The level of achievement is so impressive for something that your mind wants to interpret as "sound research", and the beauty that comes out of it is so rich and rewarding! Kalamfoo
The prolific drummer and producer, a veteran of the Philadelphia and Antwerp club scenes, proves his rhythmic mastery once again. Bandcamp New & Notable Mar 21, 2024
supported by 4 fans who also own “Mojave Interlude”
"Eastman lived his life veering between irreconcilable extremes." Pitchfork has a great article that provides context: http://pitchfork.com/reviews/albums/17803-jace-clayton-the-julius-eastman-memory-depot/ Joe Holt